Mercedes-Maybach: behold the majesty of the ultimate limousine

The Mercedes-Maybach is built around the needs and comfort of its back-seat passengers. Happily, if you’re stuck behind the wheel, the experience is still one to savour

Mercedes-Maybach S580
Mercedes-Maybach S580
(Image credit: Mercedes-Benz)

Mercedes-Maybach occupies a rarefied spot at the top end of Mercedes’ massive range of passenger cars. This is the realm of ultra-luxury, where the focus is on being driven, not driving, directing our focus to the Maybach’s capacious rear seats. 

Mercedes-Maybach S580

(Image credit: Mercedes-Benz)

We’ll get to that upper-class accommodation later, because the driver is hardly skimping on sybaritic supplements. 

As its looks suggest, the Mercedes-Maybach is essentially an S-Class that’s been taken aside and given deportment lessons.

Mercedes-Maybach S580 from above

(Image credit: Mercedes-Benz)

Given there was nothing inherently wrong with the S-Class in the first place, how has the company managed to make it even more OTT? 

The answer lies in Maybach’s focus on the details. The Maybach name is largely associated with engines, and not in a good way – the company’s diesels powered the majority of German tanks in the Second World War – although it also built a few overbearing limos in the pre-war years.

Red Mercedes-Maybach S580 with all four doors open

(Image credit: Mercedes-Benz)

Acquired by Mercedes in 1960, the name underwent an underwhelming revival in 1997, when despite a completely bespoke design for the 57 and 62 saloons (5.7m and 6.2m long respectively), they were deemed not quite special enough to challenge the incumbents from Bentley and Rolls-Royce.

Grey car interior with touchscreen beside steering wheel

(Image credit: Mercedes-Benz)

That iteration ended in 2013 and Maybach returned as a luxury designation in 2015, this time as a prestige badge attached to the Mercedes name. 

Rather than stick with a single model, there are Maybach versions of both the S-Class and GLS SUV, with a Maybach-ified version of the EQS SUV also in the works (previewed by a concept last year).

Mercedes-Maybach Concept EQS

The Mercedes-Maybach Concept EQS 

(Image credit: press)

If that’s not all, Maybach also represented the German manufacturer’s most avant-garde tendencies when it paired with the late Virgil Abloh for the mighty Project Maybach concept, shortly before the designer’s death in 2021.

Car on rocky terrain: Project MAYBACH by Virgil Abloh, 2021

Project Maybach by Virgil Abloh, 2021

(Image credit: press)

Mercedes-Maybach S580: a superlative way to be driven

In this company, the Mercedes-Maybach S580 could be forgiven for feeling a little lowly, given that it’s the ‘entry-level’ size and spec to a whole world of customisation and excess. 

However, your benchmarks would have to be very wayward if you felt in the least bit hard done by.

Luxury car interior – back seats with screens

(Image credit: Mercedes-Benz)

The S580 takes the essence of S-Class and adds another layer. From the pillowy soft headrests to the multi-stage ambient lighting, to the deeply complex entertainment system (there are screens everywhere), to the sheer volume of space, the Maybach is a quite superlative way to be driven. A champagne fridge, Burmester sound system, first class-cabin style seats; all are dialled up to the extreme.

Mercedes-Maybach S580 interior showing slot for champagne glasses

(Image credit: Mercedes-Benz)

For back-seat passengers, there are buttons for every conceivable eventuality. The in-seat massage programmes – front and rear – knead and squeeze like a professional, while there’s also a set of spa-like wellness programmes that transforms the interior with sound, light, visuals and even scent to refresh and revitalise. 

In short, the Maybach has everything the chakra-conscious plutocrat could possibly conceive of. 

luxury car interior

(Image credit: Mercedes-Benz)

If there’s a downside, it’s that Mercedes’ vision of ultimate luxury is not especially adventurous – Abloh’s avant-garde sensibility is notably absent. 

It’s a very chrome-y, rose gold-y kind of luxury, the type you might find in an Aman or a Four Seasons, or in a very high-end and lengthy yacht. Meticulous, immaculate, but also a little tiny bit soulless.

Detail of controls in car passenger door

(Image credit: Mercedes-Benz)

The S680 model adds another dimension of performance, with the inclusion of Mercedes’ V12 engine instead of its V8, although both have four-wheel drive. 

Don’t pity the chauffeur too much, as neither variant is in any way lacking in power, plus there’s four-wheel steering to help the 5.4m-long machine navigate winding urban roads.

Front and back passengers benefit from a level of hush and ride refinement that’s amongst the best in the business. Like Rolls-Royce, there’s little indication the engine even exists, although the Mercedes offer a ‘Sport’ mode for slightly edgier ride. 

If you’re not driving, you’ll probably request that ‘Maybach’ mode is left permanently on – it forces the suspension to focus on the wellbeing and comfort of the rear passengers above all else.

Maybach by Virgil Abloh

Virgil Abloh also lent his name to a limited edition of the Mercedes-Maybach S680

(Image credit:

The S-Class traditionally pioneers a boatload of automotive tech, but given the ‘standard’ car pre-dated the Maybach model, there are no astounding demonstrations of futurology on display. 

You get Mercedes’ excellent MBUX console, along with a head-up display that includes augmented navigation arrows – neatly overlaid on the road and junctions ahead.

Mercedes-Maybach S-Class S680 by Abloh

Mercedes-Maybach S-Class S680 by Abloh, alongside Project Maybach

(Image credit:

Again, these are mere bagatelles for the average Maybach owner, who will have little need for the everyday accoutrements of driving. If you have the means, and until such cars are capable of doing away with chauffeurs altogether, the Mercedes-Maybach is the ultimate means of autonomous travel. 

Mercedes-Maybach, from £172,960 for the S580 4MATIC

Jonathan Bell has written for Wallpaper* magazine since 1999, covering everything from architecture and transport design to books, tech and graphic design. He is now the magazine’s Transport and Technology Editor. Jonathan has written and edited 15 books, including Concept Car Design, 21st Century House, and The New Modern House. He is also the host of Wallpaper’s first podcast.